Women’s Voices, Women’s Votes

Many thanks to photographer Bruce Tom and 4Culture for capturing the October 6 performance of Women’s Voices, Women’s Votes! You can see photos from the performance here and here. More than 70 people attended the performance, which is part of our Celebration of the Centenial of Suffrage.

Local News: Pioneering women pilots of WWII get a belated honor

This morning’s Seattle Times features a front-page article about “Pioneering Women Pilots of WWII” who are, at last, being honored with Congressional Gold Medals. Eleven women who served as part of the Women Airforce Service Pilots (WASP) will receive the honor, and another 16 will receive the award posthumously.

During World War II, more than 350,000 women served in women’s divisions of the military, among them several of Issaquah’s young women. One of these was Elizabeth Erickson, who trained as a WASP. These women received extensive flight training and relieved men of their non-combat duties. Among other things, they ferried new fighter planes to Europe so that fighting men would not have to leave the front lines to do so. This proved to be an appealing vocation for young women whose early years were filled with news coverage of Amelia Earhart’s daring flights – and eventual disappearance.

Erickson, a graduate of Issaquah High School and the University of Washington, reported for duty at Sweetwater, Texas in January of 1944. Tragically, four months later she was killed in a mid-air collision over Texas. Thirty-seven other women died in service to their country, but never received military recognition. Because they are still considered civilians, the U.S. Army did not even provide military burial.

Erickson was not among those who received a Congressional Medal, perhaps because she did not survive to serve in Europe. However, her name is inscribed on the monument to Issaquah’s war dead that stands in Memorial Field.

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More information on Erickson’s training and last flight is available here.

The Story of a Quilt: Mona Jane Beers’ Baby Quilt

Today marked the first meeting of the Issaquah Quilters Guild at the Issaquah Depot. I’m pleased that the Guild has chosen the freight room as their new meeting space. I dropped by this morning to welcome them, to share some information about Issaquah’s history, and to show off one of the quilts in our collection.
Aside from their artistry and their use as a houseware, quilts played several roles historically. They were educational tools, providing hands-on experience in math and geometry. They were often an exercise in thrift, as scraps from other projects were combined to make something new. Quilts can also tell us a story, about the person who made it or the circumstances under which it was created.
The quilt that I shared with the guild members was a crazy-quilt created from scraps of different fabric. It is an unfinished piece, and the process of quilt-making is visible. Although the quilters enjoyed looking at the quilt (and provided me with more information about its construction), it was not the quilt I had intended to bring with me. Ahem. In order to minimize wear on the quilt, I didn’t open it before taking it to the meeting, not realizing that we had more than one crazy quilt stored in the collections.
The quilt I intended to share with the quilters appears at left. It was constructed in 1932 as a baby quilt for Mona Jane Beers (whose name is embroidered in the middle of the quilt). The maker of the quilt was Jane (or Jennie) Usher.
Born Sarah Jane Lynch in 1864, Jennie grew up in Ohio. She met and married William Usher in 1881. Around 1898, William died, leaving Jennie a widow. Jennie went to live with her daughter, Edith Usher Beers. The household also included Jennie’s son-in-law Charles Beers, and grandson George. Around 1912, the Beers family moved to Issaquah. Charles worked as a mechanic at a garage and Edith became involved with the Issaquah Garden Club and the Order of the Eastern Star. Jennie Usher added to the household income by sewing. Scraps from the dresses and other garments she made were incorporated into quilts.
Mona Jane was George Beers’ daughter, and Jennie Usher’s great-granddaughter. The quilt was constructed in part out of scraps. It is a crazy quilt, although the scraps appear to have been pieced into twelve blocks of approximately the same size. The most interesting thing about the quilt, in my opinion, is the middle layer. Contemporary quilters use batting between layers of fabric; before batting, quilters used wool, felted blankets, or even old quilts as the quilt’s filling. Through some of the paler fabrics, it is possible to see the filling of this quilt — sugar sacks with the words “Pure Cane Granulated Sugar” printed on them. At the height of the Depression, Jennie Usher combined scraps and sugar sacks to create a beautiful heirloom for her great-granddaughter.
To me, this quilt tells a story of thrift, self-sufficiency, and making do in times of economic hardship.
If you’re interested in looking at another quilt that tells a story, visit the Gilman Town Hall Museum and view a Salmon Days quilt made in 1983.
Interested in renting the freight room for an event, meeting, or party? See our website for rental details.